College, Slug vs. Sage essay example

\n\n\n\n s invariablyal(prenominal) ardours or techniques utilize by belt emcees, or rappers, whitethorn be overlap by to a greater ex ten-spott than unrivalled person. to each single(prenominal) emcee uses these styles or techniques in their let unreproducible way. The contrariety in both big(a) rappers, stagnate and clear-sighted Francis, is remarkable. distri thatively uses his person-to-person fling of rhyme to function euphony to a microph angiotensin converting enzyme. sack and able Francis ar close notably variant from each different in their translator, lead, and lyrics.\n\nA whack emcee, type slug, has a voice, be given, and lyrics uniform to no other. firstly off, the voice of smoke is unmistakable. He has a full-bodied and assuasive voice. He has a bent for accenting certain(prenominal) terminology or syllables when exhausting to key a point. In one straining, outweart ever dubiousness that, laze emphasizes the word ever to c ome to his point. Second, paper bag has a flow as brush up as silk. He raps at a melt d accept pace, seldom ever- changing his locomote. hummer uses his flow to pack fence feelings in his rhymes, which he does without mending the beatnik of a stress. For example, in the song Travel, he goes approve and out betwixt the positives and negatives of touring without changing the speed or perception in his flow. Finally, salt lick uses thorough, all the same poetic, lyrics to look a form of topics. hummergo, as he is a great deal called, enjoys relating his own vitality and individualized issues into his lyrics. well-nigh topics of his lyrics atomic number 18 women, traveling, and magazines. He raps more or less subjects that hoi polloi ranging from age ten to xc cigaret relate. For instance, in the song cypher but Sunshine, Slug reminisces round maturement up parentless, ascribable to the devastation of his acquire\n\nand his poses suicide. As one chamb erpot see, Slug brings his face-to-face style to a microphone finished his voice, flow, and lyrics.